DA VINCI film + EYCE trade-show booths
The first year combines DA VINCI film coverage with EYCE photography across the trade-show floor, booth, displays, products, and visitors.

Videography & Photography / BERK ÖZCAN
The first year combines DA VINCI film coverage with EYCE photography across the trade-show floor, booth, displays, products, and visitors.
The second year moves outside under string lights and open sky, closer to the crowd, DA VINCI products, and atmosphere.
A two-year story photographed and filmed at CHAMPS for DA VINCI and EYCE. The first chapter combines DA VINCI event film coverage with EYCE photography of its trade-show booth, display space, products, and visitors.
At CHAMPS, the first-year coverage moves through the DA VINCI and EYCE booths, their display spaces, products, demonstrations, and visitor encounters.
The open-air CHAMPS event shifts the DA VINCI coverage toward the crowd, products, atmosphere, and closer human exchanges under string lights.
SELECT A FRAME / OPEN THE SEQUENCE
Two years of event coverage at CHAMPS for DA VINCI and EYCE: indoor trade-show booths in year one, followed by open-air event photography for DA VINCI in year two.
The trade-show chapter works with scale, booth density, branded displays, demonstrations, products, visitors, and constant traffic. The open-air CHAMPS photography slows down around faces, hands, products, string lights, and open sky.
SELECT A FRAME / OPEN THE SEQUENCE
Two years of event coverage at CHAMPS for DA VINCI and EYCE: indoor trade-show booths in year one, followed by open-air event photography for DA VINCI in year two.
The trade-show chapter works with scale, booth density, branded displays, demonstrations, products, visitors, and constant traffic. The open-air CHAMPS photography slows down around faces, hands, products, string lights, and open sky.
SELECT A FRAME / OPEN THE SEQUENCE
Two years of event coverage at CHAMPS for DA VINCI and EYCE: indoor trade-show booths in year one, followed by open-air event photography for DA VINCI in year two.
People lean into demonstrations, watch one another, and lift phones into the frame. The photographs stay close to those small exchanges rather than treating the gathering as a backdrop.
Wider views bring in the string lights, open sky, and the INDUSTRIAL sign. After the close portraits, these frames locate the crowd within an unusual open-air setting.
Raised hands, overlapping faces, and drifting smoke fill the image. These crowded compositions carry the energy of being inside the gathering.